The scares are plentiful and sometimes ticklishly funny in “The Curse of La Llorona,” an enjoyably old-fashioned ghost story. And, you know, I think that’s what really good scary movies do and what makes fear oftentimes so powerful, is just what you imagine. It’s a very simple scene and it just captures the imagination. I think that, really, what makes you connect to the scene is Roman’s great performance.
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And so, to get that, we actually coated the inside of the windows with this reflective film to make those reflections pop a little bit more. And one of the ideas I loved is a car at night - if you’re inside it, it’s oftentimes a house of mirrors. The windows rolling down, that was all in camera. It is really the imagination of the menace outside and what could potentially descend on them. I think that they bring so much charm and life to it. And the two kids, I think, are just great in this film. And Sam is played by Jaynee-Lynn Kinchen. I think that there is always an element of magic to it, where you build an expectation that it’s going to come from one direction and then you turn it on its head and bring it from another. With that jump scare, you know, I think that what works with a good jump scare is a little bit of sleight of hand. And I thought that that just was a really fun way to build the tension in the scene. And even as she approaches him, what she’s saying is very warm and nurturing, and it has this motherly quality to it. And then, with that head turn I wanted to give it a little twist into a moment of menace. And I thought that was really interesting in just, you know, disarming the audience. Intentionally, it was designed to be disarming and have this kind of element of sadness to it. She is a mother who murdered her children and is basically cursed to walk the Earth for all eternity. And her story and the legend is very tragic. So it’s one of the first ways that we introduce her to these different characters. And you know, the cry is one of the most signature cues of La Llorona. And from behind him, he hears a woman crying. And while he’s there, he’s seeing this tragic scene. And he’s walked over to this crime scene.
In this scene, we have Chris, who’s played by Roman Christou. This is Michael Chaves, director of “The Curse of La Llorona.” All right. But the movie's humans, especially the immensely likable Cardellini, cool-as-ice Cruz (Tuco from Breaking Bad and Better Call Saul), and quietly consoling Amendola, who explains the legend, help make The Curse of La Llorona a decently watchable experience.Transcript ‘The Curse of La Llorona’ | Anatomy of a Scene Michael Chaves narrates a sequence from the thriller.
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It's a shame that the La Llorona legend wasn't used in a more interesting way, shedding light on what she means to specific cultures, rather than appropriating her and turning her into just another standard-issue movie ghost. But overall the movie feels somewhat bloodless and not particularly edgy it's more like watching a classic haunted-house movie than anything fresh or startling. The creepily quiet sound design is enhanced by Joseph Bishara's score. The traveling Steadicam work, the lengthy shots, the establishing of three-dimensional space, and the sharp editing all contribute to a strong moodiness. And while La Llorona often feels like a copy, it's undeniably more effective than many other choppy, shaky-cam horror movies. It effectively copies the directing style of James Wan ( The Conjuring, The Conjuring 2), who serves as a producer here. The feature directing debut of Michael Chaves, The Curse of La Llorona is the sixth entry in the Conjuring universe. Though it certainly could have been scarier and made better use of its premise, this film is still an accomplished, skillful effort in terms of its crisp, fluid look and spooky sound design.
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